The timbers

We work with four Australian timbers: messmate, Tasmanian blackwood, marri and spotted gum. Each one behaves differently with light behind it, so we describe them plainly: the colour, the grain, where it grows and what it feels like in a room.

Tall, pale eucalyptus trunks rising through a forest with ferns below

Why timber, and why these

Light changes timber. A shade that looks plain in daylight comes alive at night, when the grain is lit from behind and the thin edges glow.

Australian hardwoods are dense, stable and full of colour, from the pale straw of messmate to the red-brown of marri and the deep gold of blackwood. That range lets you match a light to a floor, a joinery finish or a mood.

Every product page shows which timbers that piece is made in, and the price changes with your choice. Tasmanian blackwood costs a little more because it is harder to get in usable boards.

Not sure from a screen? We'll post you a small sample of any timber so you can see it in your own light. Order a timber sample

[PLACEHOLDER] Where our timber comes from, and any certifications, once confirmed.

Why you'll see joins

Most lights carved from timber start as one big, perfect block, and most of that block ends up on the workshop floor. We do it the other way round.

We build each light from a handful of well-chosen pieces, usually four to six, cut from the parts of a board that suit them. We join them simply and leave the joins on show rather than hiding them.

We also keep the timber's natural character: gum veins, kino lines, small checks and the colour shifts from one board to the next. Those marks, and the joins, are part of the design. They show how a piece was made, they bring together the natural differences in colour and grain from board to board, and they mean far less of a precious resource is wasted.

Four species

Swatches are a guide only. Real timber varies board to board, which is the point.

Close-up of peeling eucalyptus bark in cream and tan
Stacked hardwood boards seen from the end